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I've consumed two things from the 2025 Hugo Award shortlist recently. They're Quite Different.

The first was The Tainted Cup, by Robert Jackson Bennett. I loved this; it's a crime thriller set in a fantasy world, where The Empire exists to keep its people safe from Leviathans. It has a lot of what you'd expect from the crime genre; whilst a couple of times that meant that I spotted the plot twist or reveal coming, there was still plenty here to keep me guessing (and turning the pages). It also talks about power and money (and how those with both can often keep clear of the law), and perhaps something about how we treat those who aren't the same as ourselves. There are some quite gruesome bits. I have a suspicion that there may be a sequel or two, which I look forward to reading :)

Flow is an animated film without any dialogue. After some apocalypse that has removed all of humanity, a flood comes, and a little cat (our point-of-view character) is nearly swept away. Over time it meets and befriends some other animals, and they have adventures together. This is not a plot-driven film, and I think works better if thought of as a poem in cinematic form. There are moments of very authentical animal behaviour, and also some rather less plausible ones (like animals being able to operate a tiller). I would have liked to have seen this on a big screen, I think.
There are 2 comments on this entry. (Reply.)
doseybat: (Default)
posted by [personal profile] doseybat at 04:46pm on 26/05/2025
Flow was awesome on a big screen. Want to go again
bella_luugosi: (Default)
posted by [personal profile] bella_luugosi at 08:28pm on 29/05/2025
We adored Flow, as I'm sure you can imagine, especially with our void snuggling down with me for a good chunk of it. I think "poem in cinematic form" is a really good way of understanding it.

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